I den forgangne uge blev vinderne fundet i 3. udgave af Red Bull Illume Image Quest fotokonkurrence. Den samlede vinder, top 10 kategori vindere og top 50 finalister blev afsløret ved en ceremoni i Hong Kong hvor vores egen chefredaktør Bugge Holm Hansen sad med i dommerpanelet. Konkurrencen inviterede fotografer til at indsende billeder fra action og adventure sport i en af 10 kategorier, herunder blandt andet energi, Illumination, Sequence, Experimental (hvor digital manipulation er tilladt). Dette års konkurrence modtog mere end 28.000 billeder fra 6.417 fotografer fra 124 lande. Nedenfor er nogle af de vindende billeder, ledsaget af historierne bag billedet.
Stuart Gibson’s photo of Sean Woolnough on a wave in Namotu Island, Fiji, was a finalist in the Spirit category. “Sean Woolnough and I were in Fiji for big swell and the wind went dead, so while we still had amazing conditions, we jumped in a Fijian long boat. This is more of a tow wave, as you can see — paddling this wave doesn’t end well. The island jetski was out of action so we thought we’d give it a go. I dropped Sean at the top of the reef, and the ocean went flat, like someone had turned off the tap. It takes a big set to light this slab up, and as Sean sat patiently I saw a big lump coming. I started yelling, but he had no reference as to where he was on the reef so he waited and paddled for this first wave of the set. He just missed it, and when I looked back, this deep blue lump just started draining out, almost sucking him under the wave. He took one big duckdive and got under the breaking lip. On a normal wave this is fine but this thing didn’t have a back — the reef drops to 200m out the back of this place so when it breaks it really folds. The wave had just too much power and sucked him back over the falls, it’s pretty much a surfer’s worst nightmare position, so many people claim this is photoshopped, but it certainly is not!” (© Stuart Gibson/Red Bull Illume) This image by Lorenz Holder is the Overall Winner of the 2013 contest. “I found this unique spot (in Raisting, Germany) in the summer and I really wanted to shoot a snowboard picture there. I told Xaver Hoffmann about the spot and he was also fascinated. My idea to shoot in heavy snowfall wasn’t going to be easy, as it only snowed once in this spot last season. So there was pretty much just a one-time chance to get this shot. I used two big Elinchrom strobes in the background to light up the snowflakes and create a ‘white wall’ where I could capture Xaver’s silhouette as he jumped. To get some light onto the dish, I chose a 4-second exposure time to get some light from the moon. Overall, I’m pretty happy that we made it there that day!” (© Lorenz Holder/Red Bull Illume) Finalist Dimitrios Kontizas: “I never thought that at some point in my life, I would stand right at the edge of a 200-meter cliff, taking pictures of ‘crazy’ people jumping off it. But there I was in Zakynthos Island, Greece, where the 2011 ‘ProBase Shipwreck Boogie’ was taking place. Thirty BASE jumpers from all around the world had been invited to participate in this competition. This particular picture was taken right after the competition had ended, leaving all the BASE jumpers free of stress and letting them have 100% fun jumps. I had the focus point on one of the jumpers because they are the main subject in the frame. The Greek sun did what it does best, providing perfect lighting conditions for a result, I think, that is worth viewing.” (© Dimitrios Kontizas/Red Bull Illume) Finalist Sterling Lorence: “Matt Hunter has a reputation in freeride mountain biking for finding and building very progressive lines. Matt built this air for the filming of his segment in the film, ‘Follow Me’. It is a 45-foot air to wall ride move that he hadn’t done much practice on. I framed up this shot from this perspective to be able to express the entire story of his line and the size of the gap he had to make. I originally thought I would shoot it as a sequence so that the viewer would be able to understand the extreme journey more. With my motor drive running, Matt nailed his line and I watched him hit the wall and carve out the finish. I was completely floored and in awe by the explosion of dust he had created. As I sat back and reviewed my images, I saw this one frame and I realized that I no longer needed the full sequence. The entire story, speed, impact and energy of this huge air was captured in this single frame. That is why I love photography, telling so much of a story in a single image.” (© Sterling Lorence/Red Bull Illume) Jeroen Nieuwhuis was named the winner of the Close Up category for this shot of Erik Journee skating in Denekamp, Netherlands. “I was looking at my portfolio and thought to myself that I should shoot some different images — less ‘studio-lit’, if you will. After a short brainstorm session, my buddy Erik and I thought it would be a cool thing to try something different than usual. I wanted this shot to be less set up. We grabbed our boards and went to the street seen in the picture. It’s just outside a forest, and a couple kilometers from where I live. The position of the sun was just right. I quickly grabbed my camera. Skating the street from front to back a couple of times, I kept trying to get the right shot. After almost smashing my camera on the concrete, I thought I would give it just one last try. This is the last image I shot in that series.” (© Jeroen Nieuwhuis/Red Bull Illume) Scott Serfas won the Illumination category with this photo of Travis Rice in Alaska’s Tordrillo Mountains. “This photo was taken on the second trip during the making of the “Art of FLIGHT” snowboarding film. We had been in Alaska for a month and I knew the trip was ending very soon. I really wanted to shoot a photo from the helicopter, right above Travis Rice as he was riding a line, but it was very difficult to coordinate because there was another heli in the air shooting with a Cineflex camera. The sun was setting fast so the director Curt Morgan called for Travis to drop into the line and as he made his second turn down the mountain I snapped this shot. This turned out to be the last photo I took during what was the best snowboarding trip of my life!” (© /Red Bull Illume) Left: Lorenz Holder’s finalist image of Benny Urban in Oberschleissheim, Germany. “I had the idea to shoot a snowboard waterslide from underneath the surface a couple of years back, but I found out pretty fast that it wasn’t as easy as I thought. After several tries, I knew that I would have to go down into the water myself. So I rented water-housing and diving equipment and went to a pretty perfect location in Munich, Germany for the shoot. The idea was to shoot upwards where the rider would be, in the so-called ‘Snell’s window’. Looking upwards underwater, this is the circular area of light on the surface caused by refraction of light entering the water. In my image you can see the rider and the sky through that window. In other parts of the surface this effect takes place and mirrors the underwater world. The communication with the rider was also a bit difficult, because we both were in two different worlds and we could not just raise our hands when both of us were ready. But in the end, everything turned out way better than I expected!” Right: Olaf Pignataro, finalist in the Playground category. “After waiting for the town to go to sleep and for the streets to empty, Stefan Lantschner climbed down a rope into the hole of the ancient bridge Ponte Pietra in Verona, Italy. Using the same rope, crew members lowered down his BMX, and Stefan began to ride the giant full pipe. Some tourists noticed the flashes coming from the bridge, but Stefan was lucky enough to climb up without getting caught by the police after a short session. Ponte Pietra is a Roman arch bridge crossing the Adige River and was completed in 100 BC.” (© Lorenz Holder, Olaf Pignataro/Red Bull Illume) Morgan Maassen, finalist in the Close Up category: “On this overcast day in late autumn, Rebecca Ronald and I went out to Chun’s Reef in Hawaii for a surf as the waves were quite clean and uncrowded. Despite the overcast skies, the water was unusually clear so I figured I would shoot with a fisheye, hoping the sun would pop out at some point during our session. Unfortunately, the sun never did come out, but Bec had a marathon session and we lined up on too many waves to count. After riding a wave past where I was shooting, she paddled back towards me… only to swing around and catch another wave. And it was at this moment that I captured this over/under shot of her, showcasing her as she prepares to nab another wave on that delightful day at Chun’s Reef.” (© Morgan Maassen/Red Bull Illume) Vince Perraud’s image of Luc Legrand was a finalist in the Sequence category. “The great magazine ‘The Albion’ asked me to follow Frenchman Luc Legrand for an article, and we arranged to spend a week on the road all across Spain, living in his van. Luc loves to ride in unique locations even if they are not easy. He remembered a crazy set-up around the Guggenheim Museum in Bilbao, Spain, and we found it again. I was not used to shooting sequences but I thought it would work for this one. I also thought shooting fisheye from below would really capture the movement. After a couple of run-ups, he just did it first go, and I was really happy to catch it first go too!” (© Vince Perraud/Red Bull Illume) Jody MacDonald, finalist in the Illumination category: “In the fourth year of a five-year world kiteboarding expedition, we sailed 600 miles across the Mozambique Channel from Madagascar to the Bazaruto Archipelago, off the southeast coast of Mozambique. As we made landfall, a massive 20-mile sand dune grew off our bow. No words were said, everyone just ran for their wings. The east side of the dune juts out into the Indian Ocean at a perfect angle for paragliding a few hundred meters above the sea. In no time we were soaring and exploring a place by air that had never previously been flown. It is the stuff that even vivid dreamers cannot imagine and as a photographer it was perfection. The way the light danced and played along the sand was mesmerizing. It was perfect until we spotted our dinghy washed up on the beach. By the time we reached it, there was no obvious damage but we would still have to wait again for low tide to make any attempt to leave. We ended up sleeping on the dune that night in our paragliders and awoke again the next morning to more perfect flying conditions. Being quite possibly the most playful and stunning soaring site on the planet, we had to keep flying. Only after we were sunburnt, exhausted and dehydrated did we manage to get the dinghy through the shore break and back to our catamaran.” (© Jody MacDonald/Red Bull Illume) Jussi Grznar’s shot of Jeff Croker in Sussex Inlet, Australia, was also named a finalist. “Jeff Croker is a true Australian bushman. Having lived in Australia all his life, he only saw the ocean for the first time at the age of 20. The next day he packed all of his stuff and moved to the beach. To this day, Jeff still lives by the beach with his lovely wife and two not-so-lovely sons (just kidding!). I met him during a personal trip to Australia in 2012, and I really wanted to photograph him. Jeff is known for not interacting with people very much, so I decided to put the camera away and just sit back for a bit. After one long night and a happy wedding we all went for a surf together, and I got the chance to get to know the man a little better. Sometimes all it takes is a couple of good waves, and maybe a beer or two!” (© Jussi Grznar/Red Bull Illume) Zakary Noyle was named the winner of the Sequence category for this shot of Gabriel Medina in the surf off Oahu, Hawaii. “This was not a large day by North Shore standards but sort of a lay day. When the waves are smaller, the surfers usually go out for a surf right before the sun sets. I walked down the beach with my camera and a 70-200mm lens — I did not take a tripod, as it is easier to hand hold. I really love capturing the different elements of my surroundings, to be able to put the viewer of the image into the exact location of where I was and what I saw. By pulling the lens back, I was able to get the sand and sky, so it is almost as if someone were walking down the beach and looking over to see Gabriel doing this massive backflip.” (© Zakary Noyle/Red Bull Illume) Finalist Ismael Ibanez Ruiz: “I was in Barcelona for a week shooting the local BMX scene. Barcelona is definitely one of the most interesting BMX Meccas in the world, with many street spots where you can ride all day. After a hard day of searching for different spots, I shot this picture where an old man was angry with one of the local riders (Nil Soler), thinking that what he was doing was a bad thing for the city. He doesn’t understand it’s only BMX! After this mishap, which is usual in Barcelona lately, we continued our search for new images, new spots and new sensations.” (© Ismael Ibanez Ruiz/Red Bull Illume) Morgan Maassen won the Lifestyle category for his photo of surfers Jake Marshall, Taylor Clark, Frankie Harrer, Colt Ward, Thelen Whorrell, Nolan Rapoza, and Dryden Brown, in Tavarua, Fiji. “Late one fall I gathered a group of America’s next generation of young surfers, and we departed for Fiji to try our hand at an impressive south swell. Arriving at Cloudbreak to perfect conditions and an empty beach, we had an absolute blast enjoying the dreamy scenario. They surfed for ten hours a day, coming in only for food or sunscreen. I captured them one morning in this shot, discussing in the crystalline water anything from the surf they were enjoying to homework they forgot at home. Reflecting on the trip after we had gone our separate ways, it was not the performance of the kids or the caliber of surf that made our adventure memorable; it was their social dynamic. I was fascinated by their camaraderie in the intense surf and realized that while the atmosphere was thick with competition, their friendship had them trading waves with nothing but smiles, laughing and hollering at each other’s successes and misfortune with pure glee.” (© Morgan Maassen/Red Bull Illume) Ryan Taylor, finalist in the Illumination category: “Every year in northern Wisconsin, cranberries are grown and harvested in the late fall. Unknown to some people, cranberries are grown dry, and it is only during harvesting that the fields are flooded. This allows the berries to float to the surface for ease of harvesting, creating a large sea of red. This uncharted territory seemed almost impossible to ride, until the invention of the winch. This image of Ben Horan carving through a cranberry field was a photo that I had wanted to shoot for a long time. I was finally able to do it in October 2012, when the Red Bull Winch Sessions crew asked me to tag along once again and shoot stills as well as some video. On the morning that this photo was taken, we awoke to a fresh blanket of snow on the ground. By the time we started shooting, the snow had melted but the temperatures were still close to freezing. Knowing how unique the image would be, Ben (as well as everyone else involved) was still willing to put the time and effort into riding. It was a long hard week of shooting, but this particular shoot will definitely go down as one of my most unique shoots to date.” (© Ryan Taylor/Red Bull Illume) Chris Burkard, winner of the Spirit category for this shot of surfers Keith Malloy and Dane Gudauskas in Unstad, Lofoten Islands, Norway: “We woke at dawn to what appeared to be clear skies and we immediately scrambled to get our things together. Windows of clear blue skies are rare in these parts of Norway and each minute that passed as we gathered our boards and wetsuits seemed twice as long. Jumping into the truck, we drove the cold icy roads looking for peaks on the horizon. Then just over the frozen hillside the top of a wave could be seen. Our excitement grew as we saw the mist of the offshore wave. So focused on the offshore waves ahead of us, we failed to see the looming clouds behind them. We ran to the shoreline and paddled straight out. The waves seemed perfect and we thought it would be a long session of the best arctic waves any of us had ever scored. Suddenly the winds changed and that looming cloud on the horizon had snuck up and was almost upon us. The rain began to pour and within minutes it began to snow. Caught in a blizzard, we did what we could to paddle in. Finally making it back to the truck, we took shelter and tried to wait out the storm. On this day, the weather got the best of us and our time spent sitting in the truck ended up being our downfall. The snow had piled high around us and soon it was pretty clear that our truck was not going anywhere fast. Dane and Keith knew another surf session was nowhere in sight and decided to head back into town. As the storm continued to brew the pair made their way back home.” (© Chris Burkard/Red Bull Illume) Scott Dickerson was named a finalist for his shot of surfers Mike McCune, Eric Newbury, and Dave Calkins riding a bore tide in Turnagain Arm, Alaska. “One thing my years of experience photographing in Alaska has taught me is to appreciate those magical moments when everything comes together. This photo is a defining moment for me where several of my passions aligned perfectly to create an image that I had been visualizing. This was when we first started surfing the Turnagain Arm bore tide on our stand up paddle boards and we were getting incredible 5 mile rides that would last up to 50 minutes. But the bore tide is a mysterious thing and sometimes it would be a clean perfect wave, and other times just a surge of turbulent whitewash, often both in the same ride. The morning before it was a bust, so I wasn’t feeling too confident waking up early on this morning. I loaned two of my boards to friends and passed up on surfing the morning’s wave so I could try and shoot some aerial photos. As we raced to beat the incoming wave, one of the surfers in the shot actually had to help me launch my paramotor from a short little strip of beach. It was an incredible morning with a picture-perfect wave and beautiful light from the sunrise. My three friends managed to ride the wave for about 40 minutes and I was able to shoot the entire time, flying back and forth over this spectacle of nature. In all the time I’ve surfed or photographed the bore tide, none was as photogenic a moment as this.” (© Scott Dickerson/Red Bull Illume) Finalist Krystle Wright: “Twenty-four hours before this shoot, my original paramotor pilot pulled out as his daughter had gone into labor five weeks early. A few friends and I went driving around Moab, Utah, desperately trying to find a solution. Thankfully, we came across Lyn Ottinger who happened to own the only tandem trike in town. We struck a deal and thankfully my shoot was saved! As the BASE jumpers ascended Castleton Tower, we began the motor and started to buzz around the tower. I couldn’t get clear radio contact with the jumpers and it was a little chaotic as we tried to communicate. In the end, the athletes would just jump when they were ready and it was sheer luck for me to be in position when Michael Tomchek took his 400ft leap. The shoot happened so fast that I didn’t get a chance to see my images until I was back on the ground. I am incredibly stoked with this image and it has also inspired new ideas about how I can evolve this concept even further, which I hope to make happen at the end of the year.” (© Krystle Wright/Red Bull Illume) Benjamin Ginsberg’s shot of Bobby Okvist high above the Wedge, in Newport Beach, California, was named a finalist. “Surfer Bobby Okvist and I started with a simple plan: to hunt down the largest waves of the swell. Hoping for an evening glass-off, we ventured back to the Wedge for our third session of the day. Exhausted from battling massive waves and long hikes from the previous sessions, I decided to stay dry and shoot from the beach. Shooting at this location often, I knew I wanted to set up far down the beach at an extreme angle, looking into any potential barrels, with the sun as far to my back as possible, and the cliffs of Newport Coast/Crystal Cove as a backdrop. A crowd of photographers in my favorite spot pushed me even further down the beach. Adding to the challenge, it was nearing sunset. Light was getting both less and more acutely angled, creating shadows within the wave face and bright highlights elsewhere. First wave out, Bobby was in position for the largest peak of the day. The wave was breaking so far out that when the refracted energy peaked, it crumbled. The wave chased Bobby towards shore, only to heave over and start barreling in the shallow water where a wave usually first breaks. Without enough speed to make it back to shore, and the wave violently closing in behind him, Bobby carved up the face and aired off the back, shocking even himself at the height he flew.” (© Benjamin Ginsberg/Red Bull Illume) Se det hele på http://www.redbullillume.com/
